Moscow's Post-Materialists (Пост-Материалисты) are too weird for Moscow's conservative venues. But they don't care. Inspired by freeform experimental groups like The Residents and Big City Orchestra, and in-league with locals like Asian Women on the Telephone and Arabian Horses, the Post-Materialists' sound is best heard in Moscow's basements and abandoned factories.
Sergey founded Post-Materialists in 2008, starting out as a half-improvised duo with Kobyla. Sergey is a saxophonist, riff-master and lyricist who performs solo as Fish Eye, and plays in everything from hip-hop to noise rock groups. Kobyla cut his teeth on post-punk guitar and synth-pop. Additional in on anything from effects pedals to violin, so even as songs take shape, Post-Materialists keep the spirit of improv and continue to evolve.
The group has developed a following not only in the fringes of Moscow, but all over the world thanks to releases on international labels like Cack Tapes, Retrotrasher, Underground Pollution and Hiroshima Toy Pet. I first heard about them through a tape on Portland Oregon's Eggy Records with art by Massachusettes experimentalist Sam Gas Can.
Jason Sigal (WFMU)