Biography
The trio of Michael Collins, Taraka Larson, and Nimai Larson met in the summer of 2007 on a Florida Hare Krishna farm, relocating to Boston and immersing themselves deep into the creation of ritualistic, holistic, and cinematic psychedelic sound.
After a series of extensive tours (one of which resulted in a tragic car robbery where all their equipment got stolen), the trio moved to Brooklyn, rebuilt themselves from the ground up and wrote “Shadow Temple”, which was released on Paw Tracks in September 2010. Produced with the help of Avey Tare and Deakin of Animal Collective, the album rose to #3 on the New Age Billboard charts.
A few months later, Michael Collins took a hiatus from the band and the two sisters went on to refine and reinvent their sound through the recording of TRUST NOW, recorded in a 19th century church with Scott Colburn (Sun City Girls, Animal Collective, Arcade Fire). Just this past year Prince Rama was also chosen to be artists in residence at Issue Project Room in Brooklyn, where they currently reside and continue their exploration of the link between music and utopia, conducting group exorcisms to the score of old VHS workout music and re-staging apocalypses through chopped and screwed pop songs. (read more)
After a series of extensive tours (one of which resulted in a tragic car robbery where all their equipment got stolen), the trio moved to Brooklyn, rebuilt themselves from the ground up and wrote “Shadow Temple”, which was released on Paw Tracks in September 2010. Produced with the help of Avey Tare and Deakin of Animal Collective, the album rose to #3 on the New Age Billboard charts.
A few months later, Michael Collins took a hiatus from the band and the two sisters went on to refine and reinvent their sound through the recording of TRUST NOW, recorded in a 19th century church with Scott Colburn (Sun City Girls, Animal Collective, Arcade Fire). Just this past year Prince Rama was also chosen to be artists in residence at Issue Project Room in Brooklyn, where they currently reside and continue their exploration of the link between music and utopia, conducting group exorcisms to the score of old VHS workout music and re-staging apocalypses through chopped and screwed pop songs. (read more)
