Classwar Karaoke - 0013 Survey Album

friends, interested parties, consider please the
following... feral hysterians in some diorama for daphne oram; elegiac
tangles, in a loving welter of thought-we, squailing ddmmyy, squailing
nail young, hairshirted and funereal, emailing. or munitions at
fahrenheit 452; remote locations for prolegamena, in super id or so. or
scribble along all 21 buttons of the omlette and the egg, niddle-noddle
for lucky 13. this is a requiescat not a silo. the only way is up. 6 or 7 また電話するね (mata denwa surune) / kotomi nishiwaki: voice / hopek quirin: bass
Ambient Fabric I do it my way...
Bloem Triple fragmentation is a chemical experiment for tapes and saxophone
baritone. All sequences were played live by Bloem (Anton Mobin on tapes
and Maurice Charles JJ on saxophone baritone) at Le Café Central in
Brussels on December 14th, 2010. All sounds are cutter, assembled and
edited by Anton Mobin at the Maïzing Studio Paris, specially for
Classwar Karaoke. “Triple fragmentation” makes at the same time
reference to the complex result of a series of incomprehensible chemical
operation, as well as to a sound experiment under influence of Belgian
beers  which the content in alcohol is strongly upper to the average !
s: Maurice Charles JJ (aka Jean-Jacques Duerinckx)
www.myspace.com/mauricecharlesjj Anton Mobin
http://antonmobin.blogspot.com/ 
Cagey House The doctor and I were drinking one night, in a part of town that we
didn’t usually frequent. As always, we were trying to keep a low
profile, but the doctor, with his white lab coat and his stethoscope,
always attracted some attention. That night the attention was all of the
unwelcome kind. It had been coming for a while, but that was the night I
knew for sure—humor was out, and serious was back in style. As we sat
at a corner table, discussing the situation, a dart whizzed by and
smacked into the wall right by our heads. We turned, and another sailed
in and stuck in the table, right by the drinks. Over at the dartboard, a
kid—who looked very familiar—was laughing. He was with two mummies--all
wrapped up but also wearing shades, and hats, and cheap suits. There
seemed to be a cloud of dust hanging around them. The Doctor got up to
have a word, and I figured that was that. But when he came back, he
looked shaken He gulped his drink without bothering to sit back down and
pointed at the door. In the parking lot he said to me, “That kid with
the mummies, he’s got a time machine, and he’s going to go back to the
fifties, and mess around, and fix it so that I never happen.” I told him
that was crazy. People wouldn’t stand for it. He was the heir, the best
and brightest. But from that night on, I saw less and less of him.
Until it got to be like he had never happened. Then a few years later--a
few long years--I was in the basement doing laundry, and the phone
rang. I picked it up, and could hear the unmistakable sound of a good
time in progress—muffled laughter, glasses clinking, a cash ’s
ring. And there was music—weird, good music—loud guitars and horns
working through some eerie mode. Then, just before the line went dead, I
heard the Doctor’s voice, “Where have you been, where have you been,
where have you been?” And I’ve been wondering ever since.
Caroline Ono (conventional convent convention converts conversation)...
Cezary Gapik [...]
Clutter Lanternhouse II (7:54) (Shaun Blezard) / Lanternhouse II is an
electro-acoustic improvisation using found sounds from Lanternhouse in
Ulverston as part of Shaun Blezard’s artist residency there under the
project name Cumbria Remixed. Cumbria Remixed is a sound project using
digital technologies to investigate and remix the soundscape of Cumbria.
It will look at creating a lively dialogue between old and new, young
and old through field recordings of Cumbrian environments, and Cumbrian
people’s tales, tunes, stories and songs. I will use digital technology
to remix and remould our environment and our stories to create new
soundscapes and songs. Cumbria remixed is a project by Shaun Blezard for
Lanternhouse. Shaun Blezard has been writing music about and of Cumbria
for over 10 years, working with artists, poets, musicians, dancers and
the community as well as incorporating sounds of the local environment
into his work. He is interested in working with every day new
technologies such as mobile phones and games consoles as well as
standard digital technologies to create music and sound art. His current
live set up includes iPhone, Nintendo DS, laptop and effects pedals. He
is interested in areas of music where genres meet and finding ways to
incorporate this melding of influences back into his music. His working
method involves the use of field recordings, both raw and processed, to
convey a sense of place and narrative, with the immediate sonic
environment at the core of his work. 'A fine collection of digital
landscape paintings and atmospheres by Shaun Blezard under his Clutter
alias... Remarkable to think that such clinical instruments as the iPod
and Nintendo DS were used as tools to realise this very human music' -
Ed Pinsent – Sound Projector 19 http://cumbriaremixed.blogspot.com/
http://soundcloud.com/cumbriaremixed www.lanternhouse.org
www.cluttermusic.com
Collectif Sin this track is a pattern we created to search through the clip system on
Pure Data. this brings you to find some Rock n Roll saturation on our
frequencies, which are only numeric frequency generators. ~ = sin, is
sinusoid, writing mathematical vibration. ~ = alt+n pure data. ~ =
Collectif sin ~ , Flavien Berger, Erwan Evin, Quentin Caille and Paul
Boudeau
Crank Sturgeon --Period Piles-- complementary disclosure. insuring censors ensues. one
many two any too. on the wife wither lithe. tines to pose. rest well
hairy zest. zealous ire spiels eel wire. whittle title. trial tamper
tooth eating. wit tidal. try all temper truth heeding. pits hewn. pithy
hues. pity pews. pittance use. while we we wary away. rising rice bed
tweed teal. criers career veered clear. briar bush vicar veal. mired me
malaise. suggestive vests since wince. cold welcome tinder from. pious
abuse burial cot. counting glance. sentient door. cemented memory steer
varied. periods appeal winter terra. precious amounts safely tooled.
clamor prints pliers field. baying loot tenfold glue. lasting haste.
wasting hassle. vast wind hassock. crass wing hash poor. rearing wheeze
knocker nine. praising edition berry headway. one over five fire
rotunda. wool rundown column salaam. coin tousle red slues digger. giant
blazer toke tree fable.
Crash Duo “Inside a movement - The mechanism to rock the intrusion” / Classwar
Karaoke 0013 / Acoustic pressure due to sound waves, probably more than
50 explosions. Three parts can be distinguished in this acoustic pressure from bubble
waves with a frequency of *Hz. Crash Duo produce sound in air by
imposing a rapid motion to the interface. Bubble traveling in the
uppermost *m, its strong vibration, overpressure generates the main
event with a frequency around *Hz. Kinematic waves of frequency around
*Hz are the main source of this crash sound. s: Ayato
http://h.a.k.free.fr Anton Mobin http://antonmobin.blogspot.com/ 
Donovan/Montag/Pearson Faro H Wind H Christ Manwatcher by Anthony Donovan, Jean Montag and Jo
Pearson. Music by Donovan / Montag / Pearson. Words by Pearson /// I
thought you were Just the ticket... then he told me the end would be
fairly tough I knew I'd gone far enough every day I meet my maker he's a
bit of a faker a bit of a fakir Jesus forgive me I think that this
might be blasphemy he said: 'do what's best for you' so I said: 'I'll
carry on watching: man, it's such a blast for me even when it's
shocking' (He was winding you up all along) / Recorded in Spain and the
UK, 2011, especially for Classwar Karaoke. Donovan, Montag and Pearson
work individually, respectively, as Murmurists, A Quiet Monday and One
Minute Wanda
FluiD (Christophe G.) is a Chicago, IL. (US) based producer and remixer.
Developing a signature sound based on beats, bass and noise, FluiD has
carved out a unique and truly original sound. Releasing a large amount
of music both as a solo artist (FluiD, subduxtion and Re: dux tion) and
collaborator, on various independent labels around the world. His music
encomes a multitude of styles and influences - techno, jazz, noise,
classical avant-garde, hip-hop, psychedelia, metal, dub, early
industrial and dark-ambient. He has also remixed several international
and national artists including, Disinvectant (UK), DJ Phys
(Switzerland), LAX (UK), Heat From A Deadstar (/Switzerland),
Ghoul (US) and Actors and Actresses (US). Regulary performing/touring
the US, FluiD has developed a live show that re-defines how electronic
music is performed
Frédéric D. Oberland A frozen plane behind the misted porthole. A far away melody in the
room. Then a chair, a piano. Through a corridor the wind is whistling
these words from E.E Cummings. 'maggie and milly and molly and may went
down to the beach(to play one day) and maggie discovered a shell that
sang so sweetly she couldn't her troubles, and milly befriended
a stranded star whose rays five languid fingers were; and molly was
chased by a horrible thing which raced sideways while blowing bubbles:
and may came home with a smooth round stone as small as a world and as
large as alone. For whatever we lose (like a you or a me) it's always
ourselves we find in the sea' Recorded and mixed by Frédéric D. Oberland
between Paris (Magnum Diva studio), Reykjavik (IS) and Le Moulin Fondu
(Noisy-Le-Sec). Fender rhodes, electric bowed guitar, piano, field
recordings, theremin, electronics, photograph: Frédéric D. Oberland
http://soundcloud.com/fredericdoberland
http://www.myspace.com/farewellpoetry http://www.therustleofthestars.com/
Graham Dunning My working practice deals with temporality, memory and narrative through
sound, performance and installation. I am interested in people’s
discarded memories,  in photographs, sound recordings or objects, and
the function of archiving. Found home recordings from the recent past
feature in my work investigating notions of the artifact and implied
narrative. Experimentation is important in my work, and my practice is
often informed by scientific experimental protocol
Gurdonark In a time when information is more available and more important than
ever, access to information is being treated as a commodity. Among the
potential casualties of this change is the public library. In Library,
the music explores the quiet complexities of this common but
un-commonplace institution. The music was created with the Sawcutter 2.0
software synthesizer, using simple samples I created. I used two
Bolivian flutes, a tarkas and a ponquillo, as well as a pewter cup and a
circular kitchen bowl, to create the sound samples used in this song. I
believe in self-education, in upward mobility through learning, and in
closing the educational gap between rich and poor through libraries and
schools. The image is a view of the surrounding mountains from the
rooftop of the Salt Lake City, Utah public library.
Hal McGee Hal McGee plays the Moog FreqBox and Behringer UB802 mixer with the
voltage-controlled filter of Korg Monotron in this no-input mixer
loop improvisation
Ian Linter Vurn in Mir'Ias 13:02:1010 / "Mir'Ias. Quando aquela mulher chegou, ela
levava debaixo do braço um sonho de encantar. MiasmatiK solution,
envolving  Abnot k. Na fuga fez a vitória suprema, e depois, entre as
aranhas dos lados, e nas buscas do possível, ela se enfiou pelo pedaço
da noite que restava. Below zero atrox & Nubia accelerator. Depois, a
noite toda foi coberta de espantos e acelerações do imediato. ZX Nubia -
a aceleração condensa o espírito e transfere o pensamento - ZX Vurn."
http://astrangerparadise.com/ianlinter
Igor's Roomy Lab Coat gor's Roomy Labcoat present a track by compadres stix, dieckman von
spasmid and igor leakin-beaker - 'ownself' Be yourself, no one else can
be :)You got to own it to loan it........don't let the bastards grind
you down..........fight for your right to party et cet er a ;) Many
thanks for listening, wishing you well!
John Hyatt John is a polymath and has a long history of international exhibitions
and performances as a painter, designer, musician, printmaker, author
and sculptor. As well as continuing a prolific career as an artist and
musician, John is currently Director of the research and postgraduate
centre, MIRIAD (the Manchester Institute for Research and Innovation in
Art and Design), at Manchester Metropolitan University, UK. In 2010,
John exhibited in the UK, Australia, China, Japan, and India. The music
world will know John as the lead singer with Leeds’ 80s’ legendary
post-punk band, The Three Johns. John has recently produced a new solo
album of music, ‘Do What You Wanna Do’, in a limited edition. His new
album, ‘Do What You Wanna Do’ is available as a CD from his website:
www.hyattartandlife.com The song included on this survey was improvised
with a feral dog under a full moon on top of the volcano, Mt. Tiede, at
midnight
Juca Pimentel & Anton Mobin “Supolitanas Marítimas” / Classwar Karaoke 0013 / Os mares colhidos
fumegantes entres os dedos de espuma e a saltar pelos lados caídos. As
amarras colhidas amadas dos antos funestos na marítima serpente do
antro-menina que se esvazia em ondas de salto. As Supolitanas tremidas
dos campos olhados ao fundo do mundo e em conchas de  mira aguçada no
cima. Os laranjos-ervas dos montes subidos enfidos e midos da carta
séria do a. Tudo isto é sombra paralepípeda a estancar o olho no meia da
mão aberta merta.  Dois os abaixo e as ondas furam. s: Juca
Pimentel (Pt) http://omnicorn.com/jp/  Anton
Mobin (Fr) http://antonmobin.blogspot.com/ 
Kalistongue Don't cry July, you're a shining example of what people percieve you as
Lezet /UAIS DHAIUS DHUIAS DHUI ASDHIA USDHAIS UDHIA UD HIAUD HUIADHIA UDHAU IDHUI/
Lux P0G0 Lux slerpy sterpy ... three sisters skippn', nev/Rmind, d/n't de/cidin'
do/in', such as suggested. [No, worry d by saints n eyelash.]
One, stellar cardboardtyp[pad[we press face ** them, ho hummin ho hummm.
One, tappd+, tapdd&, trailin/g. One, xSUGgestd, xEYELASH/d.  Three,
P0 G0 xxx "sterpy do don't decide do such as suggested no worry ed
by saints ing eyelash stellar cardboard"
Macu [...]
Noise Research & Richard Knight Richard Knight is a sonic/computational artist, usually performing with
digital equipment. Incursions have established him as a practitioner of
the no-input mixer, a subvertedwhich allows analogue to be
harnessed in an often precise and diverse manner. The performance for
EOVI will see Richard utilise two no-input mixers, in an ongoing
collaboration with Rodrigo Constanzo. Other relevant projects include
the electroacoustic/jazz duo, 'Pesticide Organica'; no-input techno
project 'Closed Circuit' and experimental/electronica 'Underbaud'. Noise
Research is the Alter Ego of sound artists / musician Ian Simpson. Ian
Simpson has worked in experimental music for many years and has material
released on Electronic Musik, aReW, Casual Seizures, Bivouac, A.M.P
recs, Knife in the Toaster and EMP. He works with improving quartet Id
of Mobius (also on Clinical Archives), ambient project Bacillus,
electronica duo Fonik and Krautrock Electronic droners Aht-n. Visual
artist / film maker Adam Mufti has recently used music by Bacillus as
part of a film soundtrack. Ian uses effects lines / processors combined
with a variety of lapsteel guitar, cheap charity shop keyboards, circuit
bent toys, scratched cd's, chant generators, dictaphones, and chimera
boxes.
PAS with Big Brother on Acid I love the people who love and I hate the people who hate. http://www.bigbrotheronacid.com/ http://www.myspace.com/pas-music
Pixyblink [...]
Planetaldol & Ayato improvisation recorded live on feb.26/2010 @ the Pixi_Paris.
Planetaldol: lap top, tampura machine, bells. Ayato: prepared guitar,
dictaphone
Qkcofse http://theunexpectedsound.blogspot.com
Reve Steich while realizing the wait the step was caused!
Shield Your Eyes Pray for Death Shield Your Eyes is the noise duo of Mike Duffy and Schuyler Tsuda.
Their performances involve sound sculpture, DIY audio circuits,
hacked/modified instruments, computer generated/assisted sounds and
experimental video. Every show is unique, with machines, software, and
video custom-made for the venue. http://shieldyoureyesprayfordeath.com/
Sinus Buds "Tu quoque" / John Aubuchon: "Ad populum"
Sound Inhaler Rights and Privileges (Suffer the Loss) / As it happens there are
particular aspects of my life to which I would like to maintain sole and
exclusive rights and privileges……. and suffer the loss!
[email protected] www.myspace.com/soundinhaler
Thanato Twist with Oleg's Sound System Thanatomitstu V.02 : yamaha PSR48 & Thanatogushi ID    : yamaha
DSR2000 additional instruments : turntable; radio; TR606 & analogic
pedals. [email protected] http://www.myspace.com/thanatotwist
Thomas Fernier se vider de certaines images... civilité : voiture, sport, consommation
d’alcool... suivant les besoins de la cause... un aspect un peu
lunaire... le serrent contre leur cœur... mouvements de précision...
mais le titre est vraiment venu après l'œuvre... protestation
silencieuse... entre la plage et cette histoire... en vociférant par
borborygmes... substances qui altèrent l'esprit... au moins une mort fut
enregistrée... pour ceux qui n’arrivent même pas à formuler les choses
Zilmrah Sharpen All Sides / Collaborators: Lawry Romani: 18 String Guitar Wheel,
Autoharp, Electric Kalimba, Oscillators, Electric Tanpura, Effects /
David Tamura: Tenor Saxophone, Guitar, Effects / Grady Gerbracht: Drums
& Percussion / John Loggia: Drums & Percussion / Man must evolve
into an armored being not only in body but more importantly in mind.
This hyper-realized metaphor is on one level depicting sci-fi imagery
for affect to grossly exaggerate the obvious; pointing out mans lack of
understanding for the untapped regions in the human mind, the likes of
which we sadly will not see come into fruition in our own lifetime.
Static frequencies permeate the air waves that surround our minds,
blocking free flowing thought, increasing the need for the mind to
filter through elaborate defense mechanisms which are counter productive
to the growth of the human mind yet necessary for mans sanity and
survival. These machinations have become a slightly more sophisticated
version of our primal instincts.  One can only conclude the only way to
evolve is to isolate the mind from the negative side effects of day to
day living including all counter productive persons within that sphere
and stimulate our minds whenever possible in place of all negative human
.

Classwar Karaoke